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| The Dress | |
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These are made to the
same pattern as the tunic only longer. |
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| The fabric layout is the
same as the tunic. If you have any sewing/dressmaking skills yourself,
please do try it your own way. As you can see from the layout they liked
to use every available inch of fabric - even the offcuts made belts or
patches, etc. I buy fabric which is 60 inches/150 cm wide. This means that the maximum bust measurement you can get out of this fabric is 48 inches/120 cm. (I think most people should be covered by this, though.) What you would have to do is open out the fabric and cut the body panels end to end, which means you would need roughly twice the amount of fabric. Decide what combination of dresses you want - if you only want to make one dress - this needs to be at least ankle-length with sleeves at least wrist length. The combination I like to wear is an ankle/ground-length under-dress with long sleeves and a shorter dress with shorter wider sleeves over the top. |
| Body | |
| Cutting out the Body Pieces | |
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| Decide which type of neckline you like; round or round with a slit. | |
| 1. Round: | |
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2. Round with a slit: |
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| Sleeves | |
| Cutting out the Sleeve Pieces | |
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Decide what type of sleeve you want: wrinkled, close-fitting (if one dress is worn), wider if a close-fitting sleeve is worn underneath. There are two ways of cutting sleeves; the first is if your arms are longer than half the width of your fabric (and you want wrinkled sleeves), the second is if you have short arms (or want plain straight sleeves). |
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| 1. Long arms or wrinkled sleeves: | |
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| 2. Short arms or plain straight sleeves: | |
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| 3. For the close-fitting/wrinkled sleeve: | |
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| 3. For the wider sleeve simply leave each sleeve piece as it is. You can shorten them to the required length later. |
| Gussets | |
| Under-Arm Gussets | |
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Out of the off-cuts of fabric from the sleeves make two squares of fabric about 6 inches/15cm each side. |
| Skirt Gussets | |
| Decide how many gussets you want. Two is the easiest option as these just pop into the side seams. Four is a bit trickier as you have to slit the front and back of the body pieces - and a bit posher. | |
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| Sewing the Pieces Together |
| Sewing the Body Pieces | |
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| Sewing the Under-arm Gusset to the Sleeve | |
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| Sewing the Skirt Gussets to the Body | |
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| Sewing the Sleeves to the Body | |
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| Sewing the Body Together | |
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| Finishing |
| Now all the seams are
finished, you can show off your hand sewing on the hems - that is if you
haven't sewn the whole thing by hand already in which case have a gold
star! (Now is the time to shorten one of the dresses, if you have made
two - do this by simply cutting off excess fabric from the bottom.) Unless you are going to use the dress to demonstrate Anglo-Saxon sewing techniques to the general public at events, I see no reason why you shouldn't use a machine on any seam that won't show whilst wearing. For my hems on linen/cotton mix, I use either a mercerised cotton or crochet cotton (both of which look like like linen thread). On wool I use a wool thread. To hem my garments I fold the edge over about half a cm and then again about another half cm and stitch down with a running stitch. You can use thread the same colour as the dress or a different colour - to tart it up a bit - and you can do decorative stitching on the edges as well. Commonly, dresses were decorated with embroidery at the neck, hem and cuffs and sometimes even in a band down the front. Contrast fabric trim was also used in differing colours/textures. For embroidery designs see contemporary manuscripts, metal- work, etc. |
| © Rosie Wilkin 2003 |
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